1968 - Robert F. Kennedy assasination

Senator Robert Kennedy is shot at the Ambassador Hotel in Los Angeles after winning the California presidential primary. Immediately after he announced to his cheering supporters that the country was ready to end its fractious divisions, Kennedy was shot several times by 22-year-old Palestinian Sirhan Sirhan. He was pronounced dead a day later, on June 6, 1968.

The summer of 1968 was a tempestuous time in American history. Both the Vietnam War and the anti-war movement were peaking. Martin Luther King, Jr. had been assassinated in the spring, igniting riots across the country. In the face of this unrest, President Lyndon B. Johnson decided not to seek a second term in the upcoming presidential election. Robert Kennedy, John F. Kennedy’s younger brother and former U.S. Attorney General, stepped into this breach and experienced a groundswell of support. 

Kennedy was perceived by many to be the only person in American politics capable of uniting the people. He was beloved by the minority community for his integrity and devotion to the civil rights cause. After winning California’s primary, Kennedy was in the position to receive the Democratic nomination and face off against Richard Nixon in the general election.

As star athletes Rafer Johnson and Roosevelt Grier accompanied Kennedy out a rear exit of the Ambassador Hotel, Sirhan Sirhan stepped forward with a rolled-up campaign poster, hiding his .22 revolver. He was only a foot away when he fired several shots at Kennedy. Grier and Johnson wrestled Sirhan to the ground, but not before five bystanders were wounded. Grier was distraught afterward and blamed himself for allowing Kennedy to be shot.

Source: History.com/photos: Pinterest

Rowan & Martin's Laugh-In debuts in 1968

January 22,  1968 – Rowan & Martin's Laugh-In debuts on NBC.

Rowan & Martin's Laugh-In is an American sketch comedy television program which ran for 140 episodes from January 22, 1968 to May 14, 1973. It was hosted by comedians Dan Rowan and Dick Martin and was broadcast over NBC. It originally aired as a one-time special on September 9, 1967 and was such a success that it was brought back as a series, replacing The Man from U.N.C.L.E. on Mondays at 8pm on NBC.

The title, Laugh-In, came out of events of the 1960s hippie culture, such as "love-ins" or "be-ins." These were terms that were, in turn, derived from "sit-ins," common in protests associated with civil rights and anti-war demonstrations of the time.

The show was characterized by a rapid-fire series of gags and sketches, many of which conveyed sexual innuendo or were politically charged. Rowan and Martin continued the exasperated straight man (Dan Rowan) and "dumb" guy (Dick Martin) act which they had established as nightclub comics. This was a continuation of the "dumb Dora" acts of vaudeville, best popularized by Burns And Allen. Rowan and Martin had a similar tag line, "Say goodnight Dick".

Laugh-In had its roots in the humor of vaudeville and burlesque, but its most direct influences were from the comedy of Olsen and Johnson (specifically, their free-form Broadway revue Hellzapoppin'), the innovative television works of Ernie Kovacs, and the topical satire of That Was The Week That Was.

The Western Sicily Earthquake of 1968

January 14, 1968– An earthquake in Sicily kills 231 and injures 262.

Summary of the 1968 Disaster in Sicily

The Sicilian earthquakes of 1968 were relatively modest for disaster-inducing earthquakes, the magnitudes ranging from 4.1 to 5.4. There were many of them, however, at least seventeen separate occurrences in this range of magnitude being recorded in twenty-three days. Perhaps it was the number of occurrences in arelatively short length of time, as much as their magnitude, that resulted in the great human disaster. Rescue workers came in rather quickly after the first few earthquakes (the afternoo and evening of  January 14 and the early morning of January 15), but they were frequently caught in the further collapse of the buildings brought on by later quakes. Furthermore, the repetition of the earthquake at relatively short intervals of time had a strong psychological effect on the inhabitants akin to repeated physical torture. No sooner had the people partially forgotten their fears after one earthquakes then another occured. The effect was terrifying to a great many persons. There is good evidence to indicate that this was so even in the city of Palermo which is located a considerable distance from the center of the activity.

At least four other factors also contributed to the disaster. One was the unussually severe winter weather and the lack of safe shelter; another was the superstition, poverty and low level of education found among the villagers of interior Sicily; a third was the frequent lack of effective town government and adequate services even in the best of times, and fourth was the lack of advance planning.

Source:  http://books.google.com/ : The Western Sicily Earthquake of 1968 by J. Eugene Hass, Proffesor of Sociology and Robert S. Ayre, proffesor and chairman of civil Engineering of the University of Colorado.

The '68 Comeback Special

December 3 – The '68 Comeback Special marks the concert return of Elvis Presley.

Recorded in late June, the special aired on December 3, 1968, as a Christmas telecast called simply Elvis. Later known as the '68 Comeback Special, the show featured lavishly staged studio productions as well as songs performed live with a band in front of a small audience—Presley's first live appearance as a performer since 1961. The live segments saw Presley clad in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and coproducer Steve Binder had worked hard to reassure the nervous singer and to produce a show that was not just an hour of Christmas songs, as Parker had originally planned. When the ratings were released the next day, NBC reported that Presley had captured 42 percent of the total viewing audience. It was the network's highest rated show that season. Jon Landau of Eye magazine remarked, "There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made Jim Morrison green with envy." The New Rolling Stone Album Guide calls the performance one of "emotional grandeur and historical resonance."